explore the carvers - list

Carving styles (32 total)

carver?
mode?
<p>Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.</p>
    	    <p>These are the Codes used in Modes</p> <p>2 foliage or tendrils that are separate, two-dimensional</p>  
            <p>3    foliage or tendrils that are crossing or emerging out of another</p> 
            <p>c    major part of the foliage placed in the centre of the capital</p> 
            <p>f    major foliage on the flanks, supporting the upper corner</p> 
            <p>r    rinceau designs, often emerging from the mouth</p> 
            <p>+    more than one row of elements</p>
            <p>#    repeatitive items place in rows and layers</p> 
            <p><>   foliage connects above the astragal, rather than rising from it.</p> 
            <p>oo   elements framed, mainly in rinceau designs.</p> 
            <p>B    birds or animals</p> 
            <p>cone the core form is dominant, decoration laid over it</p> 
            <p>e    enchancre, though seldom consistent on all capitals.</p> 
            <p>H    heads or people</p> 
            <p>geom geometric forms or lines</p> 
            <p>hang foliage hanging, at times from a head or crocket</p> 
            <p>Sp   spiral rinceau designs</p> 
            <p>T^   tips of leaves extended and pointing up, or Tv pointing down</p> 
            <p>tree tree-like forms</p> 
            <p>X    straps, either crossing or used instead of foliage.</p>
X

Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.

These are the Codes used in Modes

2 foliage or tendrils that are separate, two-dimensional

3 foliage or tendrils that are crossing or emerging out of another

c major part of the foliage placed in the centre of the capital

f major foliage on the flanks, supporting the upper corner

r rinceau designs, often emerging from the mouth

+ more than one row of elements

# repeatitive items place in rows and layers

<> foliage connects above the astragal, rather than rising from it.

oo elements framed, mainly in rinceau designs.

B birds or animals

cone the core form is dominant, decoration laid over it

e enchancre, though seldom consistent on all capitals.

H heads or people

geom geometric forms or lines

hang foliage hanging, at times from a head or crocket

Sp spiral rinceau designs

T^ tips of leaves extended and pointing up, or Tv pointing down

tree tree-like forms

X straps, either crossing or used instead of foliage.

confidence?
Acanthe f+ Medium
Apple IV r2c oo T^ Medium
Auguste 3X Tv Medium
Banniere II tree Medium
Belting r3f Medium
Comet II hang G Medium
CometSon hang Medium
Damien 2f <> Medium
Denis 2f <> Medium
Dowager r2c HSp Medium
Drago r2f H Medium
Earwig r2f H Medium
Fabian r3f oo Medium
Fanny 2# + Medium
Francois 3c+ Tv <> Medium
Frothy 2#+ Medium
Garp 3X Medium
Guirlande 2# <> Medium
Headman cone # Medium
Headman-2 cone # Medium
Jacques 2f+ <> Medium
Lazare 2f <> T^ Medium
Melinda r3 Medium
Patrice 3f+ <> Medium
Remy 2f <> Medium
Roquette 2f+ <> Medium
Severin II 3c <> Tv Medium
Treefern tree Medium
Tung-Long 2f+ Medium
Urbain 2f+ <>; Medium
Vereaux Bc Medium
Vertical 2f <> Medium

GATHERING SIMILAR CARVINGS among over 50,000 in this study is the first step in separating the work of individuals. It has been my lifelong intention to identify some of the men who created Gothic. This is a beginning, a work in progress.
Templates were the means by which a masters communicated with his masons, and I presume that carvers were no different. The template is therefore one key element to making attributions among carvers. Among master masons I would refer you to the 250 geometric studies in The Contractors of Chartres.

TYPICAL QUESTIONS might be: What else was going on in the towns where he worked? How long would it have taken to get to distant churches? As the carvers travelled, who did they meet at different sites, and how might this have influenced their carving? Where may men have met and spent time together and shared ideas? How long was a working life, and were their first works carved in adolescence? Are the dates clustered within a reasonable timeframe for an active life? Were carvers employed by one builder or were they independent and peripatetic? On a large job would all the carvers have turned up at the same time, or singly? Did they do other skilled work such as torus moulds or decorative framing, and can we identify them?

FOUR ARTICLES FOUR ARTICLES...Read more
Studies These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. 
    	    The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.
X

These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.

Carver: Remy, 39 capitals in 19 jobs. Active: 1088-1161. Filtered by Certainty .

  Origin Monument Region Dept Priority Phase Description Decade Detail Date Certainty Job
   Luzarches Saints-Côme-et-Damien Senlisis Val-d'Oise 3 1 apse 1080 1088 !? 1
   Crusade I 1095- -
   Pocancy Saint-Louvent Châlonais Marne 3 1 apse 1100 1112 ! 2
   Coulonges-Cohan Saints-Rufin-et-Valère Soissonais Aisne 3 4 crossing (c) 1110 1113 !! 3
   Luzarches Saints-Côme-et-Damien Senlisis Val-d'Oise 3 2 north 1110 1115 !? 4
   Vertus Saint-Martin Châlonais Marne 3 1 crypt w 1110 1117 ! 5
   Pogny Notre-Dame-de-la-Nativite Châlonais Marne 3 1 nave 1110 1118 !! 6
   Champigneul-Champagne Saint-Remi Châlonais Marne 3 1 east, nave (a) 1120 1120 !! 7
   Trie-la-Ville Notre-Dame-de-l'Assomption Vexin Oise 3 1 apse, crossing 1120 1121 !! 8
   Château-Landon Notre-Dame-de-l'Assomption Gâtinais Seine-et-Marne 2 6 choir (c) 1120 1122 !? 9
   Dampierre-sur-Moivre Saint-Laurent Châlonais Marne 3 2 nave (a) 1130 1132 !! 10
   Laigneville Saint-Remi Therain Oise 3 3 widen crossing 1130 1133 !! 11
   Les Istres-et-Bury Sainte-Helene Châlonais Marne 3 2 tower II 1130 1136 !! 12
   Crusade II 1146- -
   Croix-sur-Ourcq, La Notre-Dame-de-l'Assomption Soissonais Aisne 3 8 tower base 1150 1153 !! 13
   Croix-sur-Ourcq, La Notre-Dame-de-l'Assomption Soissonais Aisne 3 9 tower II 1150 1154 !? 14
   Acy Saint-Medard Soissonais Aisne 3 2 south 1150 1158 ? 15
   Thourotte La Nativite Noyonnais Oise 3 1 church 1150 1158 !! 16
   Ventelay Saint-Remi Soissonais Marne 3 3 crossing 1150 1159 !! 17
   Nouvion-le-Vineux Saint-Martin Laonnois Aisne 3 9 apse (a) 1160 1160 !! 18
   Laon Notre-Dame Laonnois Aisne 1 5 choir (g) 1160 1161 ! 19