carveridcertsortcsortcustom_spagesrch_attr_visitedsrch_importance_5 Creation of Gothic

explore the carvers - list
carvings in Tortue manner

Carving styles (0 total)

carver?
mode?
<p>Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.</p>
    	    <p>These are the Codes used in Modes</p> <p>2 foliage or tendrils that are separate, two-dimensional</p>  
            <p>3    foliage or tendrils that are crossing or emerging out of another</p> 
            <p>c    major part of the foliage placed in the centre of the capital</p> 
            <p>f    major foliage on the flanks, supporting the upper corner</p> 
            <p>r    rinceau designs, often emerging from the mouth</p> 
            <p>+    more than one row of elements</p>
            <p>#    repeatitive items place in rows and layers</p> 
            <p><>   foliage connects above the astragal, rather than rising from it.</p> 
            <p>oo   elements framed, mainly in rinceau designs.</p> 
            <p>B    birds or animals</p> 
            <p>cone the core form is dominant, decoration laid over it</p> 
            <p>e    enchancre, though seldom consistent on all capitals.</p> 
            <p>H    heads or people</p> 
            <p>geom geometric forms or lines</p> 
            <p>hang foliage hanging, at times from a head or crocket</p> 
            <p>Sp   spiral rinceau designs</p> 
            <p>T^   tips of leaves extended and pointing up, or Tv pointing down</p> 
            <p>tree tree-like forms</p> 
            <p>X    straps, either crossing or used instead of foliage.</p>
X

Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.

These are the Codes used in Modes

2 foliage or tendrils that are separate, two-dimensional

3 foliage or tendrils that are crossing or emerging out of another

c major part of the foliage placed in the centre of the capital

f major foliage on the flanks, supporting the upper corner

r rinceau designs, often emerging from the mouth

+ more than one row of elements

# repeatitive items place in rows and layers

<> foliage connects above the astragal, rather than rising from it.

oo elements framed, mainly in rinceau designs.

B birds or animals

cone the core form is dominant, decoration laid over it

e enchancre, though seldom consistent on all capitals.

H heads or people

geom geometric forms or lines

hang foliage hanging, at times from a head or crocket

Sp spiral rinceau designs

T^ tips of leaves extended and pointing up, or Tv pointing down

tree tree-like forms

X straps, either crossing or used instead of foliage.

confidence?

GATHERING SIMILAR CARVINGS among over 50,000 in this study is the first step in separating the work of individuals. It has been my lifelong intention to identify some of the men who created Gothic. This is a beginning, a work in progress.
Templates were the means by which a masters communicated with his masons, and I presume that carvers were no different. The template is therefore one key element to making attributions among carvers. Among master masons I would refer you to the 250 geometric studies in The Contractors of Chartres.

TYPICAL QUESTIONS might be: What else was going on in the towns where he worked? How long would it have taken to get to distant churches? As the carvers travelled, who did they meet at different sites, and how might this have influenced their carving? Where may men have met and spent time together and shared ideas? How long was a working life, and were their first works carved in adolescence? Are the dates clustered within a reasonable timeframe for an active life? Were carvers employed by one builder or were they independent and peripatetic? On a large job would all the carvers have turned up at the same time, or singly? Did they do other skilled work such as torus moulds or decorative framing, and can we identify them?

FOUR ARTICLES FOUR ARTICLES...Read more
Studies These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. 
    	    The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.
X

These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.

Carver: Tortue, 0 capitals in 54 jobs. Active: -. Filtered by Certainty ALL.

  Origin Monument Region Dept Priority Phase Description Decade Detail Date Certainty Job
   Provins Saint-Quirace Provinois Seine-et-Marne 1 7 choir (cw) 1160 1166 1
   Mantes-la-Jolie Notre-Dame Meulanois Yvelines 1 2 W-c (b) 1150 1156 2
   Sens Saint-Étienne Yonne Yonne 1 14 flyers 1-7 1160 1165 3
   Paris Notre-Dame Parisis Paris 1 4 choir walls II 1160 1164 4
   Laon Notre-Dame Laonnois Aisne 1 3 choir piers (a) 1150 1157 5
   Mantes-la-Jolie Notre-Dame Meulanois Yvelines 1 7 church (a) 1170 1177 6
   Châlons-en-Champagne Notre-Dame-en-Vaux Châlonais Marne 1 16 nave (g) 1170 1173 7
   Châlons-en-Champagne Notre-Dame-en-Vaux Châlonais Marne 1 17 nave (t,c) 1170 1174 8
   Beauvais Saint-Étienne Beauvaisis Oise 1 9 nave 3-5 (a) 1130 1136 9
   Provins Saint-Quirace Provinois Seine-et-Marne 1 3 e choir (a) 1150 1154 10
   Laon Notre-Dame Laonnois Aisne 1 34 nave (t,c) 1180 1182 11
   Paris Saint-Germain-des-Près Parisis Paris 1 11 ambulatory (a) 1140 1142 12
   Châlons-en-Champagne Notre-Dame-en-Vaux Châlonais Marne 1 20 choir (g+) 1170 1177 13
   Provins Saint-Quirace Provinois Seine-et-Marne 1 6 choir (c) 1160 1164 14
   Canterbury Cathedral Outliers Kent 1 1 wall dado 1-6 1170 1174 15
   Senlis Notre-Dame Senlisis Oise 1 9 choir (g) 1160 1160 16
   Paris Saint-Pierre-de-Montmartre Parisis Paris 2 6 nave (t,c) 1160 1161 17
   Cambronne-lès-Clermont Saint-Étienne Therain Oise 2 8 n nave (a) 1150 1154 18
   Juziers Saint-Michel Meulanois Yvelines 2 1 east (d) 1150 1150 19
   Arcis-le-Ponsart Notre-Dame Soissonais Marne 3 4 nave (c) 1160 1167 20
   Laigneville Saint-Remi Therain Oise 3 5 east 1160 1167 21
   Courmelles Saint-Georges Soissonais Aisne 3 2 east walls 1150 1157 22
   Verneuil-sur-Seine Saint-Martin Meulanois Yvelines 3 6 nave (c) 1160 1166 23
   Berzy-le-Sec Saint-Quentin Soissonais Aisne 3 3 Nave arcade and lower west 1160 1167 24
   Acy-en-Multien Saints-Pierre-et-Paul Soissonais Oise 3 3 nave (a) 1130 1133 25
   Gilocourt Saint-Martin Senlisis Oise 3 1 nave piers 1150 1153 26
   Catenoy Saint-Michel-et-Vaast Therain Oise 3 5 crossing (v) 1130 1138 27
   Athis Saint-Remi Châlonais Marne 3 3 nave (a) 1140 1145 28
   Dampierre-sur-Moivre Saint-Laurent Châlonais Marne 3 3 apse 1170 1178 29
   Vernouillet Saint-Étienne Meulanois Yvelines 3 4 east 1150 1159 30
   Bonneuil-en-Valois Saint-Martin Soissonais Oise 3 6 north 1150 1150 31
   Provins Chapelle Comtal Provinois Seine-et-Marne 3 1 chapel 1170 1176 ! 32
   Ambonnay Saint-Réol Châlonais Marne 3 2 nave (a) N 1150 1158 33
   Jâlons Saint-Ephrem Châlonais Marne 3 2 apse, nave (a) 1150 1156 34
   Thourotte La Nativite Noyonnais Oise 3 1 church 1150 1158 35
   Autouillet Notre-Dame-de-l'Assomption Meulanois Yvelines 3 1 east, tower 1160 1165 ! 36
   Presles-et-Thierny Saint-Georges-et-Saint-Quirin Laonnois Aisne 3 9 porch 1160 1165 37
   Laon Bishops Chapel Laonnois Aisne 3 2 upper level 1160 1160 38
   Étiolles Saint-Martin Parisis Essonne 3 1 crossing 1160 1168 39
   Vichel-Nanteuil Saints-Crépin-et-Crépinien Soissonais Aisne 3 2 tower II 1150 1155 40
   Boullarre Saint-Étienne Soissonais Oise 3 3 east (c) 1150 1155 41
   Saint-Agnan Saint-Agnan Marne Aisne 3 1 east, crossing e 1150 1158 42
   Ambonnay Saint-Réol Châlonais Marne 3 4 apse (c) 1160 1164 43
   Noël-Saint-Martin Saint-Martin Senlisis Oise 3 4 east 1130 1139 ! 44
   Jâlons Saint-Ephrem Châlonais Marne 3 3 porch 1160 1162 45
   Vaumoise Saints-Pierre-et-Paul Soissonais Oise 3 2 crossing 1130 1138 46
   Vraux Saint-Laurent Châlonais Marne 3 5 tower 1150 1156 47
   Fosses Saint-Étienne Senlisis Val-d'Oise 3 2 east shafts 1150 1155 48
   Saint-Vaast-lès-Mello Saint-Lambert Therain Oise 3 6 nave (c)3 1130 1131 49
   Angy Saint-Nicolas Therain Oise 3 3 east 1150 1157 50
   Verneuil-sur-Seine Saint-Martin Meulanois Yvelines 3 5 nave (a) 1160 1165 51
   Bellefontaine Saint-Étienne Senlisis Val-d'Oise 3 1 apse, north 1120 1125 52
   Les Istres-et-Bury Sainte-Helene Châlonais Marne 3 2 tower II 1130 1136 53
   Frocourt Saint-Fuscien Beauvaisis Oise 3 2 tower II 1160 1160 54