explore the carvers - list

Carving styles (32 total)

carver?
mode?
<p>Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.</p>
    	    <p>These are the Codes used in Modes</p> <p>2 foliage or tendrils that are separate, two-dimensional</p>  
            <p>3    foliage or tendrils that are crossing or emerging out of another</p> 
            <p>c    major part of the foliage placed in the centre of the capital</p> 
            <p>f    major foliage on the flanks, supporting the upper corner</p> 
            <p>r    rinceau designs, often emerging from the mouth</p> 
            <p>+    more than one row of elements</p>
            <p>#    repeatitive items place in rows and layers</p> 
            <p><>   foliage connects above the astragal, rather than rising from it.</p> 
            <p>oo   elements framed, mainly in rinceau designs.</p> 
            <p>B    birds or animals</p> 
            <p>cone the core form is dominant, decoration laid over it</p> 
            <p>e    enchancre, though seldom consistent on all capitals.</p> 
            <p>H    heads or people</p> 
            <p>geom geometric forms or lines</p> 
            <p>hang foliage hanging, at times from a head or crocket</p> 
            <p>Sp   spiral rinceau designs</p> 
            <p>T^   tips of leaves extended and pointing up, or Tv pointing down</p> 
            <p>tree tree-like forms</p> 
            <p>X    straps, either crossing or used instead of foliage.</p>
X

Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.

These are the Codes used in Modes

2 foliage or tendrils that are separate, two-dimensional

3 foliage or tendrils that are crossing or emerging out of another

c major part of the foliage placed in the centre of the capital

f major foliage on the flanks, supporting the upper corner

r rinceau designs, often emerging from the mouth

+ more than one row of elements

# repeatitive items place in rows and layers

<> foliage connects above the astragal, rather than rising from it.

oo elements framed, mainly in rinceau designs.

B birds or animals

cone the core form is dominant, decoration laid over it

e enchancre, though seldom consistent on all capitals.

H heads or people

geom geometric forms or lines

hang foliage hanging, at times from a head or crocket

Sp spiral rinceau designs

T^ tips of leaves extended and pointing up, or Tv pointing down

tree tree-like forms

X straps, either crossing or used instead of foliage.

confidence?
Acanthe f+ Medium
Apple IV r2c oo T^ Medium
Auguste 3X Tv Medium
Banniere II tree Medium
Belting r3f Medium
Comet II hang G Medium
CometSon hang Medium
Damien 2f <> Medium
Denis 2f <> Medium
Dowager r2c HSp Medium
Drago r2f H Medium
Earwig r2f H Medium
Fabian r3f oo Medium
Fanny 2# + Medium
Francois 3c+ Tv <> Medium
Frothy 2#+ Medium
Garp 3X Medium
Guirlande 2# <> Medium
Headman cone # Medium
Headman-2 cone # Medium
Jacques 2f+ <> Medium
Lazare 2f <> T^ Medium
Melinda r3 Medium
Patrice 3f+ <> Medium
Remy 2f <> Medium
Roquette 2f+ <> Medium
Severin II 3c <> Tv Medium
Treefern tree Medium
Tung-Long 2f+ Medium
Urbain 2f+ <>; Medium
Vereaux Bc Medium
Vertical 2f <> Medium

GATHERING SIMILAR CARVINGS among over 50,000 in this study is the first step in separating the work of individuals. It has been my lifelong intention to identify some of the men who created Gothic. This is a beginning, a work in progress.
Templates were the means by which a masters communicated with his masons, and I presume that carvers were no different. The template is therefore one key element to making attributions among carvers. Among master masons I would refer you to the 250 geometric studies in The Contractors of Chartres.

TYPICAL QUESTIONS might be: What else was going on in the towns where he worked? How long would it have taken to get to distant churches? As the carvers travelled, who did they meet at different sites, and how might this have influenced their carving? Where may men have met and spent time together and shared ideas? How long was a working life, and were their first works carved in adolescence? Are the dates clustered within a reasonable timeframe for an active life? Were carvers employed by one builder or were they independent and peripatetic? On a large job would all the carvers have turned up at the same time, or singly? Did they do other skilled work such as torus moulds or decorative framing, and can we identify them?

FOUR ARTICLES FOUR ARTICLES...Read more

Carver: Roquette, 30 capitals in 20 jobs. Active: -1176. Filtered by Certainty .

  Origin Monument Region Dept Priority Phase Description Decade Detail Date Certainty Job
   Domont Sainte-Marie-Madeleine Parisis Val-d'Oise 2 11 apse (cw) 1150 1
   Crusade I 1095- -
   Château-Landon Notre-Dame-de-l'Assomption Gâtinais Seine-et-Marne 2 6 choir (c) 1120 1122 !! 2
   Aulnay-sous-Bois Saint-Sulpice Parisis Seine-St-Denis 3 1 east 1130 1133 3
   Beauvais Saint-Étienne Beauvaisis Oise 1 9 nave 3-5 (a) 1130 1136 4
   Sens Saint-Étienne Yonne Yonne 1 3 choir piers (a) 1130 1136 5
   Vaumoise Saints-Pierre-et-Paul Soissonais Oise 3 2 crossing 1130 1138 ! 6
   Saint-Denis-en-France Saint-Denis Parisis Seine-St-Denis 1 21 choir (u) 1140 1140 7
   Saint-Denis-en-France Saint-Denis Parisis Seine-St-Denis 1 22 choir walls (a) 1140 1141 ! 8
   Crusade II 1146- -
   Bazoches-sur-Vesles Saint-Pierre Soissonais Aisne 3 1 east 1150 1151 9
   Saint-Germer-de-Fly Saint-Germer Beauvaisis Oise 1 4 chapels (av) 1150 1151 10
   Fosses Saint-Étienne Senlisis Val-d'Oise 3 2 east shafts 1150 1155 !! 11
   Senlis Notre-Dame Senlisis Oise 1 5 east walls (a) 1150 1156 12
   Senlis Notre-Dame Senlisis Oise 1 7 nave-s 1150 1158 13
   Plailly Saint-Martin Senlisis Oise 3 5 crpssing (a) 1160 1160 14
   Senlis Notre-Dame Senlisis Oise 1 9 choir (g) 1160 1160 15
   Vorges Saint-Jean-Baptiste Laonnois Aisne 3 3 east (a) 1160 1160 16
   Saint-Christophe-en-Halatte Saint-Christophe Senlisis Oise 3 2 east (c) 1160 1161 ! 17
   Nucourt Saint-Quentin Vexin Val-d'Oise 3 1 south, crossing 1160 1163 18
   Saint-Leu-d'Esserent Saint-Nicolas Therain Oise 1 6 east walls 1160 1167 19
   Laon Notre-Dame Laonnois Aisne 1 15 south (a) 1170 1176 20