carveridconfsortcsortpagesrch_attr_visitedsrch_importance_5 Creation of Gothic

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carvings in Entract manner

Carving styles (0 total)

carver?
mode?
 		<p>Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.</p> <p>These are the Codes used in Modes</p> <p>2 foliage or tendrils that are separate, two-dimensional</p> <p>3 foliage or tendrils that are crossing or emerging out of another</p> <p>c major part of the foliage placed in the centre of the capital</p> <p>f major foliage on the flanks, supporting the upper corner</p> <p>r rinceau designs, often emerging from the mouth</p> <p>+ more than one row of elements</p> <p># repeatitive items place in rows and layers</p> <p><> foliage connects above the astragal, rather than rising from it.</p> <p>oo elements framed, mainly in rinceau designs.</p> <p>B birds or animals</p> <p>cone the core form is dominant, decoration laid over it</p> <p>e enchancre, though seldom consistent on all capitals.</p> <p>H heads or people</p> <p>geom geometric forms or lines</p> <p>hang foliage hanging, at times from a head or crocket</p> <p>Sp spiral rinceau designs</p> <p>T^ tips of leaves extended and pointing up, or Tv pointing down</p> <p>tree tree-like forms</p> <p>X straps, either crossing or used instead of foliage.</p>
X

Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.

These are the Codes used in Modes

2 foliage or tendrils that are separate, two-dimensional

3 foliage or tendrils that are crossing or emerging out of another

c major part of the foliage placed in the centre of the capital

f major foliage on the flanks, supporting the upper corner

r rinceau designs, often emerging from the mouth

+ more than one row of elements

# repeatitive items place in rows and layers

<> foliage connects above the astragal, rather than rising from it.

oo elements framed, mainly in rinceau designs.

B birds or animals

cone the core form is dominant, decoration laid over it

e enchancre, though seldom consistent on all capitals.

H heads or people

geom geometric forms or lines

hang foliage hanging, at times from a head or crocket

Sp spiral rinceau designs

T^ tips of leaves extended and pointing up, or Tv pointing down

tree tree-like forms

X straps, either crossing or used instead of foliage.
confidence?

GATHERING SIMILAR CARVINGS among over 50,000 in this study is the first step in separating the work of individuals. It has been my lifelong intention to identify some of the men who created Gothic. This is a beginning, a work in progress.
Templates were the means by which a masters communicated with his masons, and I presume that carvers were no different. The template is therefore one key element to making attributions among carvers. Among master masons I would refer you to the 250 geometric studies in The Contractors of Chartres.

TYPICAL QUESTIONS might be: What else was going on in the towns where he worked? How long would it have taken to get to distant churches? As the carvers travelled, who did they meet at different sites, and how might this have influenced their carving? Where may men have met and spent time together and shared ideas? How long was a working life, and were their first works carved in adolescence? Are the dates clustered within a reasonable timeframe for an active life? Were carvers employed by one builder or were they independent and peripatetic? On a large job would all the carvers have turned up at the same time, or singly? Did they do other skilled work such as torus moulds or decorative framing, and can we identify them?

FOUR ARTICLES FOUR ARTICLES...Read more
Studies These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.
X

These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.

Carver: Entract, 0 capitals in 45 jobs. Active: -. Filtered by Certainty ALL.

  Origin Monument Region Dept Priority Phase Description Decade Detail Date Certainty Job
   Vic-sur-Aisne Notre-Dame-de-l'Assomption Soissonais Aisne 3 2 nave (a) 1070 1075 1
   Pierrefonds Saint-Sulpice Senlisis Oise 3 1 crypt 1080 1080 2
   Retheuil Saint-Aubin Soissonais Aisne 3 2 tower I 1080 1080 3
   Fresnoy-en-Thelle Saint-Nicolas Therain Oise 3 1 north 1080 1081 4
   Laigneville Saint-Remi Therain Oise 3 2 tower 1080 1082 5
   Retheuil Saint-Aubin Soissonais Aisne 3 3 tower II 1080 1082 6
   Marolles-en-Brie Saint-Julien-de-Brioude Parisis Val-de-Marne 2 1 east 1080 1083 7
   Oulchy-le-Chateau Notre-Dame Soissonais Aisne 2 3 tower I 1080 1084 8
   Retheuil Saint-Aubin Soissonais Aisne 3 4 tower III 1080 1084 9
   Chivy-lès-Étouvelles Saint-Pierre Laonnois Aisne 3 6 nave (a) 1080 1085 10
   Nogent-sur-Oise Saintes-Maure-et-Brigide Therain Oise 3 2 tower I 1080 1085 11
   Oulchy-le-Chateau Notre-Dame Soissonais Aisne 2 5 tower III 1080 1085 12
   Pierrefonds Saint-Sulpice Senlisis Oise 3 2 narthex 1080 1086 13
   Rieux Saint-Denis Therain Oise 3 1 crossing, north 1080 1086 14
   Cerisy-la-Foret Saint-Vigor Outliers Manche 2 1 Choir, crossing 1080 1088 ! 15
   Morienval Saint-Denis Senlisis Oise 2 8 e tower III 1080 1088 16
   Nogent-sur-Oise Saintes-Maure-et-Brigide Therain Oise 3 3 tower II 1080 1088 17
   Bonnesvalyn Saint-Martin Soissonais Aisne 3 4 s chapel (a) 1080 1089 18
   Vulaines-lès-Provins Saint-Leger-et-Saint-Blaise Provinois Seine-et-Marne 3 1 apse (d) 1080 1089 19
   Catenoy Saint-Michel-et-Vaast Therain Oise 3 2 tower II 1090 1090 20
   Azy-sur-Marne Saint-Félix Marne Aisne 3 3 tower II 1090 1091 21
   Bouconvillers Saint-Étienne Vexin Oise 3 1 tower base, 1 1090 1091 22
   Saint-Vaast-de-Longmont Saint-Vaast Senlisis Oise 3 6 tower II 1090 1092 23
   Saint-Vaast-de-Longmont Saint-Vaast Senlisis Oise 3 7 tower III 1090 1093 24
   Jouy-le-Moutier La Nativite-de-la-Sainte-Vierge Vexin Val-d'Oise 2 1 crossing 1090 1094 25
   Bonnesvalyn Saint-Martin Soissonais Aisne 3 6 south -s 1090 1095 26
   Verneuil-sur-Seine Saint-Martin Meulanois Yvelines 3 1 east 1100 1104 27
   Bury Saint-Lucien Therain Oise 2 2 n nave (a) 1100 1105 28
   Bury Saint-Lucien Therain Oise 2 3 s nave (a) 1100 1108 29
   Beauvais Saint-Étienne Beauvaisis Oise 1 4 e nave (a) 1110 1110 30
   Bonnesvalyn Saint-Martin Soissonais Aisne 3 8 nave s 1110 1112 31
   Bury Saint-Lucien Therain Oise 2 5 w nave (a) 1110 1114 32
   Ouistreham Saint-Samson Outliers Calvados 2 1 west 1110 1115 ! 33
   Bury Saint-Lucien Therain Oise 2 6 e nave (c) 1110 1116 34
   Maule Saint-Nicolas Meulanois Yvelines 2 4 apse (aw) 1110 1117 35
   Beauvais Saint-Étienne Beauvaisis Oise 1 5 s transept (c) 1110 1118 36
   Bruyères-sur-Oise Saint-Vivien Therain Val-d'Oise 3 4 tower III 1110 1119 37
   Marolles Sainte-Genevieve Soissonais Oise 3 4 tower III, spire 1120 1120 38
   Maule Saint-Nicolas Meulanois Yvelines 2 5 nave (a) 1120 1120 39
   Ully-Saint-Georges Saint-Georges Therain Oise 3 1 east 1120 1120 40
   Foulangues Saint-Denis Therain Oise 3 9 s nave (c) 1120 1124 41
   Saint-Germain-sur-Ay Saint-Germain Outliers Manche 3 1 east 1120 1124 42
   Cramoisy Saint-Martin Therain Oise 3 1 tower base 1130 1130 43
   Chartres Notre-Dame-de-l'Assomption Perche Eure-et-Loir 1 25 level 2 caps, campaign O 1150 1155 44
   Lhuys Saints-Médard-et-Gildard Soissonais Aisne 3 9 east (c) 1160 1168 45