explore the carvers - travels
travel map for Meander

Carving styles (101 total)

carver?
mode?
<p>Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.</p>
    	    <p>These are the Codes used in Modes</p> <p>2 foliage or tendrils that are separate, two-dimensional</p>  
            <p>3    foliage or tendrils that are crossing or emerging out of another</p> 
            <p>c    major part of the foliage placed in the centre of the capital</p> 
            <p>f    major foliage on the flanks, supporting the upper corner</p> 
            <p>r    rinceau designs, often emerging from the mouth</p> 
            <p>+    more than one row of elements</p>
            <p>#    repeatitive items place in rows and layers</p> 
            <p><>   foliage connects above the astragal, rather than rising from it.</p> 
            <p>oo   elements framed, mainly in rinceau designs.</p> 
            <p>B    birds or animals</p> 
            <p>cone the core form is dominant, decoration laid over it</p> 
            <p>e    enchancre, though seldom consistent on all capitals.</p> 
            <p>H    heads or people</p> 
            <p>geom geometric forms or lines</p> 
            <p>hang foliage hanging, at times from a head or crocket</p> 
            <p>Sp   spiral rinceau designs</p> 
            <p>T^   tips of leaves extended and pointing up, or Tv pointing down</p> 
            <p>tree tree-like forms</p> 
            <p>X    straps, either crossing or used instead of foliage.</p>
X

Mode of a template offers a quick way to sort by type, such as “B” would group. all those with birds.

These are the Codes used in Modes

2 foliage or tendrils that are separate, two-dimensional

3 foliage or tendrils that are crossing or emerging out of another

c major part of the foliage placed in the centre of the capital

f major foliage on the flanks, supporting the upper corner

r rinceau designs, often emerging from the mouth

+ more than one row of elements

# repeatitive items place in rows and layers

<> foliage connects above the astragal, rather than rising from it.

oo elements framed, mainly in rinceau designs.

B birds or animals

cone the core form is dominant, decoration laid over it

e enchancre, though seldom consistent on all capitals.

H heads or people

geom geometric forms or lines

hang foliage hanging, at times from a head or crocket

Sp spiral rinceau designs

T^ tips of leaves extended and pointing up, or Tv pointing down

tree tree-like forms

X straps, either crossing or used instead of foliage.

confidence?
Zac 2 High
Skirt 2# Little
Fanny 2# + Medium
Frothy 2#+ Medium
Layered 2#+ Little
Palmleaf 2#+ Little
Sprout 2#+ <> High
FlatStrap 2+ e Little
Fretter 2c <> High
Fabrice 2c <> Little
Twingo 2c wave Little
Jumper 2c+ Little
Joseph 2c+ <> Little
Flopsie 2f Little
Remy 2f <> Medium
Vertical 2f <> Medium
Damien 2f <> Medium
Dominique 2f <> High
Hugues 2f <> Little
Loopy 2f <> Little
Olive 2f <> Little
Victoire 2f <> High
Igor the Mad 2f H Little
Jacques 2f+ <> Medium
Rocket 2f+ <> Little
Lucien 2f+ <> Little
Pietro 2f+ <> Little
Urbain 2f+ <>; Medium
Strutter 2x tree High
Bouquet 3c+ High
Francois 3c+ Tv <> Medium
Lobelia 3f Little
Gamma 3X <> High
Auguste 3X Tv Medium
Birdman-X B Little
Peekaboo Bc High
Pecker Bc+ High
Pecker II Bc+ High
Nested Bc+ T> High
Aviateur Bf High
Bussiares Bf High
Birdman Bf+ High
Esteban Bx lines Little
Etouffant cone Little
Faceter cone High
Headman cone # Medium
Chrisomon geom High
Spirex geom Little
Firedog H Little
Growl H High
Oda H Little
The Italian H Little
The Ram H Little
Comet hang High
Curly hang High
Droopy hang High
Fiesta hang High
Comet II hang G Medium
Butterfly leaf f High
SS II r2 Little
Countess r2 H High
SS IV r2 oo Little
SS Master r2 oo Little
Embrun r2c H High
Dowager r2c HSp Medium
Papillon r2f <> Little
Drago r2f H Medium
Duchess r2f H High
DukeSon r2f H High
Earwig r2f H Medium
Duke r2f HSp High
Apple I r2f oo High
Apple II r2f oo High
Apple III r2f oo High
Gripple r2f oo Little
LongLeaf r2f Tv Little
Umbrella r2f+ <> Little
Meander r3 High
Melinda r3 Medium
Softly r3 H' High
Rameau r3c H High
Gregoire r3c HSp High
Heron r3c oo High
Entangle I r3c Sp Little
Belting r3f Medium
Bowline r3f High
Counter r3f HSp Little
Felix r3f HSp High
Fabian r3f oo Medium
Festoon skirt Little
Banniere tree High
Banniere II tree Medium
Jeremy tree High
Jerome tree High
Ouvert tree Little
TreeMan tree Little
Yves II tree High
Yves tree 2f+ High
Palmier tree 2f+ <> Little
Palmier II tree 2f+ <> Little
Strap-X X r Little
GATHERING SIMILAR CARVINGS among 30,000 in this study is the first step in separating the work of individuals. It has been my lifelong intention to identify some of the men who created Gothic. This is a beginning, a work in progress.
Templates were the means by which a masters communicated with his masons, and I presume that carvers were no different. The template is therefore one key element to making attributions among carvers. Among master masons I would refer you to the 250 geometric studies in The Contractors of Chartres.

TYPICAL QUESTIONS might be: What else was going on in the towns where he worked? How long would it have taken to get to distant churches? As the carvers travelled, who did they meet at different sites, and how might this have influenced their carving? Where may men have met and spent time together and shared ideas? How long was a working life, and were their first works carved in adolescence? Are the dates clustered within a reasonable timeframe for an active life? Were carvers employed by one builder or were they independent and peripatetic? On a large job would all the carvers have turned up at the same time, or singly? Did they do other skilled work such as torus moulds or decorative framing, and can we identify them?

FOUR ARTICLES FOUR ARTICLES...Read more
Studies These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. 
    	    The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.
X

These draft studies have been written as if all carvings were by an individual whereas they can equally be analysed as template modes employed by a number of carvers. The more personal approach was necessitated by the complexity of the data. The drafts will be reconsidered after I have added the rib vault material to the database.

Carver: Meander, 3 capitals in 3 jobs. Active: 1082-1118. Filtered by Certainty !?.Switch