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graph of funding for selection by decade
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Timeline and Costing Data in building units
X
A 'building unit' is an arbitrary unit of work based on bulk billing techniques used by quantity surveyors.
The unit is small enough to provide realistic figures in the small churches without becoming too huge in the large.
Six units would pay for one small vaulted bay in an aisle about 3 metres square, or a small first-floor gallery.
Such a bay would consist of an external wall with a small window, half of two columns about 3 meters tall, the floor and footings under them and the vault and roof overhead.
A 'building unit' is an arbitrary unit of work based on bulk billing techniques used by quantity surveyors. The unit is small enough to provide realistic figures in the small churches without becoming too huge in the large. Six units would pay for one small vaulted bay in an aisle about 3 metres square, or a small first-floor gallery. Such a bay would consist of an external wall with a small window, half of two columns about 3 meters tall, the floor and footings under them and the vault and roof overhead.
Number of occasions
X
This is the number of phases with the selected feature.
Giving numbers balances the tendency for the bigger churches to outweigh the importance of the many smaller ones.
Construction in the 1130s looks more frenetic than the 40s, which is only because construction stopped with the Crusade.
The same applies to the 1090s.
I have no explanation for the decrease in the 1170s, but that coincides with the profound change in carving styles from formal to natural, described in vol. I of The Ark of God.
This is the number of phases with the selected feature. Giving numbers balances the tendency for the bigger churches to outweigh the importance of the many smaller ones. Construction in the 1130s looks more frenetic than the 40s, which is only because construction stopped with the Crusade. The same applies to the 1090s. I have no explanation for the decrease in the 1170s, but that coincides with the profound change in carving styles from formal to natural, described in vol. I of The Ark of God.